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Marinus Jan Marijs

Post Integral Philosophy

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You are here: Home / Life after death / Characteristics / Time

Time

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by Marinus Jan Marijs

(phenomenology)

130-marinusjanmarijs.com-time

Our space conception as well as our time conception are both derived from physical sensory experiences. When one enters the higher worlds for the first time, it appears as if the normal, linear, asymmetric course of time which one finds in the physical world is here as well. That this is not always the case, is evident from the fact that by extrasensory perception one can see events from the future. In the higher worlds not only perceptions, but even movements in time are possible. Jumps backward as well as forward in time are achievable. Be it that the normal linear course of time is usually the case. The asymmetric course of time has to do with relationship between entropy and negentropy, the fact that as the higher levels are made out of highly activated subtle energies the level of negentropy is substantially higher than in the physical world. This could provide an explanation for the extraordinary time perceptions described above. In the higher worlds, the past, present and future seem to exist simultaneously. Both causality and time (in the sense of a regular succession of occurrences, only), seem to be functioning in a limited domain of reality.

131-marinusjanmarijs.com-time-atkinson_grimshaw
19th-century-painting- Atkinson Grimshaw  (1836 – 1893)

132-marinusjanmarijs.com-time-atkinson_grimshaw
19th-century-painting- Atkinson Grimshaw  (1836 – 1893)

133-marinusjanmarijs.com-time-atkinson_grimshaw
19th-century-painting- Atkinson Grimshaw  (1836 – 1893)

134-marinusjanmarijs.com-time-atkinson_grimshaw
19th-century-painting- Atkinson Grimshaw  (1836 – 1893)


19th-century-painting- Atkinson Grimshaw  (1836 – 1893)


19th-century-painting- Atkinson Grimshaw  (1836 – 1893)

19th-century-painting- Atkinson Grimshaw  (1836 – 1893)


Atkinson Grimshaw  (1836 – 1893)


Arthur Grimshaw

 Louis Grimshaw


Atkinson Grimshaw  (1836 – 1893)


The Heart of Empire, by Niels Moeller Lund, 1904.


London     Thomas Greenhalgh  (1848-1906)


1903  Charles Edward Dixon,  1872-1934


­­Frederick William Scarborough (1860-1939)             Tower Bridge, London; and London Bridge


Docking a Cargo Ship by William Lionel Wyllie (1851-1931)


Arthur John Trevor Briscoe, (1873–1943) Clewing Up the Mainsail in Heavy Weather, c. 1925


William Lionel Wyllie,1852 – 1931        King Coal, Rochester


Sandsend of London discharging coal, by William Lionel Wyllie


Charles Edward Dixon (1872-1934)  The Pool of London


Konstantinos Volanakis


Alfred Wierusz-Kowalski   1849-1915   – The peasant wedding


Edward Lamson Henry 1841-1919


Myles Birket Foster   Lane Scene in Hambledon (exhibited 1862)


Alfred Wierusz-Kowalski (1849-1915)  “The Return Home at Sunset”

Alfred Wierusz-Kowalski,      Night driving,      before 1892

The Bayswater Omnibus 1895 by George William Joy.

Willard Metcalf  (1858 –1925)      The Ten Cent Breakfast

Arthur Claude Strachan (British, 1865-1938) – Young Girl Feeding a Puppy

                                        Arthur Claude Strachan – A cottage garden in full bloom

                       Arthur Claude Strachan (British, 1865-1929) – A thatched cottage


                  Arthur Claude Strachan – Going to Town

                                             Josef Theodor Hansen (1848-1912)  View of Rothenburg


Enrique Martínez Cubells (Spanish, 1874-1947), La Puerta del Sol, Madrid, 1902


Fichier: Bargue The Chess Game  1882


Gailliard, Francois – Devant le Palais de la Bourse .


Cesare Auguste Detti   (1847-1914)


Cesare Auguste Detti   (1847-1914)


Léon Zeytline (1885-1962) Coach on the Grand Boulevard


Victor Gabriel Gilbert (1847-1933) The Flower Market Paris 1881


James Tissot “On the Thames”


James Tissot, The Gallery of HMS Calcutta (Portsmouth) c.1876


Marie François Firmin-Girard 1838-1921     La Fête Place Pigalle, Parijs 1908-1911


Firmin-Girard   peintre des métiers et des arts du feu

 

 

 

 

 

 

 

 

 

 

 

 

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About Marinus

If one writes about the higher levels of consciousness, second person process descriptions seem to be preferable to first person descriptions. Landscape paintings are much more interesting than … [Read More...] about About Marinus Jan Marijs

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